Films worth building a campaign around.
One commercial or a flagship film — concepted, cast, directed, and finished as a single piece of work.
For brands with a moment that deserves a film — a launch, a rebrand, a flagship campaign.
Scope and direction are set per brief. Pricing on proposal.
Your visual IP is yours alone. Your work is never used to train public models.
Concept and treatment
Casting and world-building
Scene-by-scene direction
Grade and finish
25 delivered films across 3 houses. Every film under the house it was made for.
Fragrance
Christian Provenzano
A master perfumer's eponymous house, made for presence.
- 40+ years master perfumery
- 13 fragrances
- 2 collections
- 12 markets
Delivered films
2Restraint. A patterned-cap motif, a journal serif, a five-colour palette. Packshots stay clean and slightly withheld. The long-form piece is composed against classical architecture — the house framed on the perfumer rather than the product.
See how Christian Provenzano was builtFragrance · Italy
Sospiro
An Italian niche house that turns opera into scent, one colour world at a time.
- 10 markets
- 4 continents
- Bilingual brand system
Delivered films
6Composed like a score. The product films are brief-driven — slow, lit for material, never busy. Colour does the sorting: one palette keeps the whole line reading as one house, and the world built around each fragrance lets that scent arrive as its own act.
See how Sospiro was builtFragrance · Spain
Ramón Béjar
No faces. Only storytelling.
- 45 years master perfumery
- 8 signature fragrances
- 2 collections
Delivered films · Horizontal
14Delivered films · Vertical
3One rule governs the whole library: No Faces, Only Storytelling. Not a single human face appears on screen. Architecture sets the frame, motion moves through it, and light is built for material — so every scene arrives on surface and colour instead.
See how Ramón Béjar was builtWe don’t generate. We direct.
A generative production engine, run under written direction and closed by a human pass. The direction sets the constraint. The engine works inside it. Nothing ships unjudged.
Direction
It starts with a creative director, a brief, and a point of view — not a prompt.
Generation
The engine generates wide inside that direction. Whatever breaks the rule is thrown away.
Finish
The last pass belongs to a person — colour, light, and detail, corrected by hand.